This framework for this joint programme was designed by UNDP and UNESCO in close cooperation with the Ministry of Tourism, Culture, Youth and Sports (MoTCYS), which sponsored an eight-person working group of government specialists to provide input on strategic interventions in line with government policies and the forthcoming, unpublished strategies on culture and tourism.
Policy intervention initiatives (Outcome 1, Output 1) are considered crucial to ensuring that the interdependent relationship between tourism and culture is developed and managed in a sustainable manner at the both the national and local levels. One of the most visible interventions that can be made is the ratification and implementation of applicable international conventions for the protection of culture and cultural heritage. Of the 37 conventions, protocols and agreements of a standard-setting nature issued by UNESCO, only 17 of these instruments have been ratified or accepted by the Albanian Government. The project steering committee will need to assess which of these legal tools is of the greatest, immediate importance and applicability to Albania. An important focus will be aligning Albania with EU frameworks to support its ability to access and absorb EU cultural funds that will become available as part of the accession process.
UNESCO will provide technical assistance to the Government to design and implement innovative fiscal mechanisms to support culture and cultural heritage, based on global best practice. These tools must be adapted to Albanian legislation and Albanian cultural needs. UNESCO and UNDP will ensure that Government capacities are built for successful implementation of the actions plans to be drafted, and that all mechanisms and tools are financially sustainable. A number of localized activities from the culture action plan will be implemented by the UN agencies through participatory processes, in conjunction with the relevant local, regional and national stakeholders as demonstration projects.
Cooperation with civil society, such as the media, will help support the Government to maintain its commitments to culture through a number of public awareness activities (Outcome 1, Output 3). Existing networks of Youth and of Culture Ambassadors will be mobilized, and press trips with the national media and advertising campaigns will be organised to increase public awareness of the importance of Albania’s cultural heritage as national resource for development.
In parallel with the development of a strategic governance framework to protect Albania’s cultural heritage, parallel physical interventions need to be made to safeguard the country’s cultural heritage for future generations. Two cultural heritage attractions are in noticeable need of safeguarding: the country’s archaeological park system and the National History Museum, both managed by the state. Assessments leading towards the development and implementation of management plans (Outcome 2, Output 1) for these institutions will be conducted with the oversight of the MoTCYS and in direct cooperation with site directors and section chiefs. Based in part on these assessments and the activities called for in the management plans, the Project Steering Committee will decided on a number of interventions (Outcome 2, Output 2) to be made. One clearly identified intervention by the MoTCYS is the complete rehabilitation and re-conceptualization of the National History Museum in Tirana, transforming it into a modern cultural institution overseen by a Governing Board of public figures and independent experts. Other suggested and foreseen interventions include improving site security from fire, theft, vandalism, and waste, and documenting and archiving the cinematic heritage of Albania in proper storage conditions at a National Film Theatre.
The safeguarding of Albania’s cultural heritage is not a sustainable intervention in itself, however. National capacities need to be developed to sustainably manage these national treasures and also to enhance individual capacities in the cultural industries. Training programs, working with existing centers and universities, will be created for government staff working in cultural heritage, including government directorates and institutions, archaeological parks, and museums (Outcome 3, Output 1). Special management training will be offered for site directors, as they will be responsible for directing the management assessments supported through Outcome 2. Individual and private sector capacities in cultural industries will be enhanced through vocational training opportunities (Outcome 3, Output 2), offered to the greatest extent possible on all restoration and rehabilitation projects undertaken. The goal of this training to create a skilled workforce that can be employed by state and non-state actors alike in future restoration projects. Finally, efforts need also to be concentrated on fostering interest in these trades and careers in the formal education sector (Outcome 3, Output 3). A new Masters programme on Cultural Resource Management & Policy Planning will be created, to create a sustainable future cadre of professionals for Government, public institutions and the private sector.
To solidify the bridge between culture and development, interventions need to be made to create a sounder, more solid and transparent link between Albania’s cultural heritage and sustainable tourism development. Small, simple interventions, developed in partnership with site managers and directors, can be made to improve visitor experience at cultural heritage sites (Outcome 4, Output 1); creating visitor centers, signage, offering tour guide services in foreign languages, and creating specialized guidebooks and promotional materials geared towards the international visitor all serve to improve the visitor experience. Linkages also need to be strengthened with intangible heritage, also. Quality artisan craftsmanship is highly demanded on the international market and is often sought out first as tourist souvenirs. UN agencies will work directly with local artisans and any civil society organization supporting them to create artisan centers and business incubators (Outcome 4, Output 2). These centers and incubator can also provide training to the artisans in product development, marketing and business planning activities, helping them access foreign markets, via the tourism industry or the Internet. Further, capacities of private individuals and businesses will be one step closer to increasing their quality of life through a number of informative seminars and publications informing them how to access funds to transform the built cultural heritage into use for the tourism sector (Outcome 4, Output 3). Conducted in partnership with local NGOs and the Government, these seminars will be targeted at those communities hosting significant numbers of built cultural heritage of potential use and that are located near existing cultural heritage sites. Clustering these cultural heritage attractions together will serve to strengthen the attractiveness and marketing pull of the destination to the tourist.
Bridging over all other interventions are those interventions involved with the promotion of an improved, positive image of Albania to the world based on its cultural heritage (Outcome 5, Output 1). Increasing this international awareness of Albania’s cultural heritage will serve to further validate the work the country’s officials have done to improve culture and benefit from it, and also to attract more investment to the country, via tourism or other forms of FDI. Key to this awareness raising is a strategy of how to do so. Support will be given to the MoTCYS’s marketing and promotions arm, the National Entity of Tourism, for the creation and implementation of a strategy and action plan to promote Albania’s cultural heritage internationally. The implementation of this strategy will necessitate the use of a variety of promotional tools, such as a National Geographic-quality album of Albania’s cultural heritage and the support of artists and artisans at international trade fairs, and rely upon long-term measurement instruments to monitor this change in level of awareness. Capacity building is a key element of changing awareness levels, and as no Albanian embassies abroad have official cultural attaches, training will be offered to Albanian embassy staff abroad on how to act as cultural attaches and promote Albania’s cultural heritage in their duty stations. Finally, an innovative idea is to use Albania’s long history of cultural and religious tolerance and acceptance in the UN Alliance of Civilizations to demonstrate how culture can transcend religion to be a unifying factor in diverse societies.